The Regular 8mm and Super 8mm Film are probably the most utilised film format of all time. The Super 8mm is regarded as an straightforward but top quality alternative to the Regular 8mm. Often, Super 8 and 8mm are terms utilised interchangeably. Nonetheless, there are key points that differentiate one from the other.
Eastman Kodak introduced the Standard 8mm in 1932 to the industry as a cheaper option to the 16mm. Not long soon after, it became a popular format for home movies and low-cost film productions. More than three decades later, Kodak released the Super 8mm, which, as the name suggests is actually a hybrid of the Regular 8mm. It was able to record sound and provided improvements each for image good quality and ease of use and therefore, became the preferred low-cost format. In the 1980's, using the advent of VHS and VCR tapes, both Super and Regular 8mm suffered considerable reductions when it comes to consumer preference.
Super 8mm films have sprocket holes that only cover fifty percent of the width necessary by Regular 8mm films. Consequently, this allows Super 8mm film area to be larger than the Standard 8mm. This enables Super 8mm to capture a lot more data. Physically, Standard 8 mm films may be differentiated from Super 8mm films via the size of its sprocket holes. The sprocket holes of Regular 8mm films are larger and run the top and bottom of every frame whilst Super 8mm films have smaller sprocket holes which are aligned at center of every single frame.
With regards to usage, Regular 8mm films are shot on 16mm films and run via the camera twice. It involves operating the film through the camera as soon as and exposing half of it, and then, the film is flipped and run through the camera again to expose the second half. Upon processing, the film is split in the center and attached in the ends which make a single roll of 8mm film that's twice the length of the original 16mm roll. Utilizing Super 8mm films is much less tedious as they load easily into a camera and are sold in ready-to-use cartridges rather than reels which call for threading. Super 8mm films only run through the camera as soon as since it is originally an 8 millimeter film.
Transferring Standard or Super 8mm to DVD needs which you inspect them for scratches and lines too as other defects. A few of these are repairable but others are not. Films stored in humid environments are more likely to have mold, mildew or fungus on them. Normally beginning in the edges, it gradually works its strategy to the emulsion, damaging the film within the approach. The harm may be stopped with chemicals especially if is contained in the outer edges. Damage within the emulsion can also be removed however it typically ruins the film irreversibly.
Another issue that arises with decades of time is shirnkage. You are able to manually test for it by comparing 100 strips of the film you want to test and 100 frames of a new film or a new white leader. A Shrinkage Gauge can be loaned from the Association of Moving Image Archivists but you'll need to become a member. Shrinkage of more than 0.8% may harm the film if loaded on a projector. 2% shrinkage means that the film can not be salvaged even by essentially the most skilled professionals.
Most of the people transfer their Standard and Super 88mm films to DVD for greater and more practical viewing. In case you are nonetheless hanging on to these decades-old media, do not wait any longer. Memories are precious so it's best to ensure that these once-in-a lifetime events are saved on a digital format that enables you to take pleasure in them to the fullest and more importantly, will not degrade.
Eastman Kodak introduced the Standard 8mm in 1932 to the industry as a cheaper option to the 16mm. Not long soon after, it became a popular format for home movies and low-cost film productions. More than three decades later, Kodak released the Super 8mm, which, as the name suggests is actually a hybrid of the Regular 8mm. It was able to record sound and provided improvements each for image good quality and ease of use and therefore, became the preferred low-cost format. In the 1980's, using the advent of VHS and VCR tapes, both Super and Regular 8mm suffered considerable reductions when it comes to consumer preference.
Super 8mm films have sprocket holes that only cover fifty percent of the width necessary by Regular 8mm films. Consequently, this allows Super 8mm film area to be larger than the Standard 8mm. This enables Super 8mm to capture a lot more data. Physically, Standard 8 mm films may be differentiated from Super 8mm films via the size of its sprocket holes. The sprocket holes of Regular 8mm films are larger and run the top and bottom of every frame whilst Super 8mm films have smaller sprocket holes which are aligned at center of every single frame.
With regards to usage, Regular 8mm films are shot on 16mm films and run via the camera twice. It involves operating the film through the camera as soon as and exposing half of it, and then, the film is flipped and run through the camera again to expose the second half. Upon processing, the film is split in the center and attached in the ends which make a single roll of 8mm film that's twice the length of the original 16mm roll. Utilizing Super 8mm films is much less tedious as they load easily into a camera and are sold in ready-to-use cartridges rather than reels which call for threading. Super 8mm films only run through the camera as soon as since it is originally an 8 millimeter film.
Transferring Standard or Super 8mm to DVD needs which you inspect them for scratches and lines too as other defects. A few of these are repairable but others are not. Films stored in humid environments are more likely to have mold, mildew or fungus on them. Normally beginning in the edges, it gradually works its strategy to the emulsion, damaging the film within the approach. The harm may be stopped with chemicals especially if is contained in the outer edges. Damage within the emulsion can also be removed however it typically ruins the film irreversibly.
Another issue that arises with decades of time is shirnkage. You are able to manually test for it by comparing 100 strips of the film you want to test and 100 frames of a new film or a new white leader. A Shrinkage Gauge can be loaned from the Association of Moving Image Archivists but you'll need to become a member. Shrinkage of more than 0.8% may harm the film if loaded on a projector. 2% shrinkage means that the film can not be salvaged even by essentially the most skilled professionals.
Most of the people transfer their Standard and Super 88mm films to DVD for greater and more practical viewing. In case you are nonetheless hanging on to these decades-old media, do not wait any longer. Memories are precious so it's best to ensure that these once-in-a lifetime events are saved on a digital format that enables you to take pleasure in them to the fullest and more importantly, will not degrade.
About the Author:
Joe Redford turned countless families' 8mm film to DVD . He works at Play it Again Video video transfer lab in Newton, MA.
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